Sunday, September 17, 2017

Project 366 - Pick Your Poison

To mark the fifth anniversary of ITYWLTMT, we are undertaking a long-term project that will introduce - and re-introduce - musical selections in the context of a larger thematic arc I am calling "A Journey of Musical Discovery". Read more here.


Piano… Violin… Again?!?

Today’s chapter serves as a modest attempt at veering away from the same old, same old. After all, in principle, any object that produces sound can be considered a musical instrument—early musical instruments may have been used for ritual, such as a trumpet to signal success on the hunt, or a drum in a religious ceremony. Cultures eventually developed composition and performance of melodies for entertainment. Musical instruments evolved in step with changing applications.

I could point to many Listener Guides in our series that feature instruments other than the piano and the violin: for example, we dedicated entire chapters to the organ and to voice. Peppered here and there I featured the trumpet, the Moog Synthesizer and even the dill piccolo.

To add to our “featured instruments”, we will add today the horn, the oboe and the guitar. The cello and viola are also added to the mix, though they are after all part of the violin family. Ditto for the harpsichord and tangent piano, which are after all ancestors of the modern piano.

Finally, you will find a pair of listener guides that feature the piano and the violin – after all, the repertoire is dominated by pages upon pages dedicated to those two stallworths!

Your Musical Guides

Listener Guide #109 – “Narciso Yepes (1927-1997)”: Considered one of the finest virtuoso classical guitarists of the twentieth century, Spain’s Narciso Yepes is featured as recitalist, soloist and arranger in this montage of guitar favourites. (ITYWLTMT Montage #254 – 28 July 2017)



Listener Guide #110 – “Ye olde keyboards”: Before the piano, there was the harpsichord, the fortepiano and the tangent piano. Listen to concerti featuring these old keyboard instruments. (ITYWLTMT Montage #242 - 10 Mar, 2017)


Listener Guide #111 – “Oboe Concertos”: The oboe produces a beautiful, sweet, haunting sound. When used as solo instruments the sound is sometimes described as a 'pastoral' sound. Different composers approached the oboe differently – as a violin substitute or as its own voice. (ITYWLTMT Montage #256 – 25 Aug 2017)



Listener Guide #112 – “Viola & Orchestra”: The viola has a rich tone, subtly deeper than its first cousin, the violin. Here we have a trio of works for viola soloist and orchestra by Hindemith, Hummel and Berlioz. (ITYWLTMT Montage #240 - 10 Feb 2017)



Listener Guide #113 – “Frédéric Chopin , Piaano sonatas no. 2 & 3”: A vintage vinyl recording from 1966, featuring Tamás Vásáry (Vinyl’s Revenge #9 – Sep 2015)



Listener Guide #114 – “Dimitry Markevitch on MP3.COM”: French-Russian cellist Dimitry Markevitch performs solo suites by J. S. Bach and a pair of cello sonatas by Beethoven. (Once Upon the Internet #31 – 18 Nov 2014)



Listener Guide #115 – “Violin and Cello”: Brahms’ Double concerto pairs the violin and cello. Completing our program are the Tragic Overture and Ravel's sonata for violin and cello. (ITYWLTMT Podcast #53 - 27 Apr, 2012)



Listener Guide #116 – “Mozart and the Horn”: Some horn and piano or orchestra music by Mozart, Czerny and Schumann. (ITYWLTMT Podcast # 73 - 28 Sep, 2012 )



Listener Guide #117 – “Wolfgang Schneiderhan (1915 –2002)”: The main work features Schneiderhan in a 1952 performance of the BrahmsViolin Concerto in D, plus a pair of Beethoven sonatas from the 1952 set recorded with Wihelm Kempff. (Once Upon the Internet #48 – 12 July 2016)