No. 193 of the ongoing ITYWLTMT series of audio montages can be found in our archives at https://archive.org/details/pcast193 |
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For the
remaining three Fridays in April, I have programmed a short series on the
concertos of Max Bruch, featuring the violin concertos played by the Canadian
violinist James Ehnes. James will be contributing a concerto every week in this
short arc, beginning this week with Bruch’s first violin concerto, one of the
most popular violin concertos in the repertoire.
The
concerto was first completed in 1866 and its first performance was given in
April of that year with violinist Otto von Königslow, Bruch himself conducting.
The concerto was then considerably revised with help from celebrated violinist
Joseph Joachim and completed in its present form in 1867. Joachim was the
soloist for the first performance of the revised concerto in January 1868.
Bruch was
born in Cologne and received his early musical training under the composer and
pianist Ferdinand Hiller (to whom Robert Schumann dedicated his piano concerto
in A minor). At the age of nine he wrote his first composition, and took his
first lessons in serious music theory at age 11. From then on music was his
passion, his studies having been enthusiastically supported by his parents.
Bruch had a
long career as a teacher, conductor and composer, moving among musical posts in
Germany: Mannheim (1862–1864), Koblenz (1865–1867), Sondershausen, (1867–1870),
Berlin (1870–1872), and Bonn, where he spent 1873–78 working privately. At the
height of his career he spent three seasons as conductor of the Liverpool
Philharmonic Society (1880–83). He taught composition at the Berlin Hochschule
für Musik from 1890 until his retirement in 1910.
His complex
and unfailingly well-structured works, in the German Romantic musical
tradition, placed him in the camp of Romantic classicism exemplified by
Johannes Brahms, rather than the opposing "New Music" of Franz Liszt
and Richard Wagner. In his time he was known primarily as a choral composer.
In the
realm of chamber music, Bruch is not well known, although his "Eight
Pieces for Clarinet, Viola and Piano" are occasionally performed – as they
are here today. We note that Bruch’s son, Max Felix, was a fine clarinetist and
may have been composed for him to play. The Concerto for Clarinet, Viola, and
Orchestra in E minor was composed in 1911 for his son and received its first
performance in 1912, with Willy Hess (viola) and Max Felix Bruch (clarinet) as
the soloists.
At the end
of World War I, Bruch was destitute, having been unable to enforce the payment
of royalties for his works because of chaotic world-wide economic conditions
and died shortly thereafter in his house in Berlin-Friedenau in 1920.
I think you will love this music too.
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