I hope you
are having a good summer, and that your area is slowly moving away from
COVID-19 Public Health measures. Here in Ottawa, after well over 18 months of
pandemic measures, more
than 78% of eligible adults are fully vaccinated, and we are soon approaching what
we can all say are near-normal activities.
On our
music platforms, we are soon entering the third year of daily podcasts on For
Your Listening Pleasure. Year Two will come to a close on August 31st
with the 365th montage in our series we began way back in April
2011. The theme for that podcast is a harbinger of the coming year of daily
programming starting September 1st.
222 Days
of Binging
We spent
the last year reissuing all of our montages (thus 365 all together), which
marked the ten years of our blogging and music sharing activities. Overshadowed
in a way was the ten-year anniversary of our other platforms, notably our
presence on TalkClassical (The Tuesday Blog) and OperaLively
(Once or Twice a Fortnight).
In the last
few months, I’ve been spending a lot of time rummaging through our music
archives for these two platforms in particular, and (to nobody’s surprise) we
have more than enough material shared on TC and OL over 10 years to justify
spending some time revisiting them. I challenged myself to come up with
programming solely fed by these shares – complete operas from OTF
“Classic”, shares from our many Tuesday series (Once Upon the Internet,
Cover2Cover, Vinyl’s Revenge) and a hodge-podge of playlists we cobbled
together over the years
I came up
with programming for 222 consecutive days – which will cover the
remainder of 2021 and the first quarter of 2022 – to address this challenge.
Following our typical two-week frequency of new Friday montages, we will
intersperse Friday shares that will respect that challenge – more on that below.
Programming
Highlights
Here are
some of the highlights (and programming tactics) that merit your attention:
Opera
Content – I intend
to provide complete operas every other weekend moving forward. Operas may,
sometimes, give way to lyrical programs, but the intention here is to showcase
our OL content.
Collections – Under our Cover2Cover and Vinyl’s
Revenge series, I have planned to share some “collections” – the first three
are the complete Paganini violin concertos (in September), the complete
Gershwin works for orchestra and piano and orchestra (in October) and the
complete Beethoven Piano Trios (in November). The music shares justify more
than one “daily spot” on our binge calendar. In some cases, I plan to use a
Friday slot (and montage) to deploy some of that content.
A La
Carte – Our mission
will shift somewhat from the business of “content creation” to that of “content
curation” and in that vein, there are some parts of our music share collection
that may get “extended” (in the case of playlists that are shorter in duration
than 60 minutes) or “broken up” (for rather large shares). The A La Carte
series will revisit some of these long or short shares and repackage them with
additional material. I have some A La Carte shares planned for Tuesdays, others
as Friday montages. I intend to go back to some of the original TC and OL
commentary and provide updates where appropriate.
Tuesday
Themes Revisited –
Finally, as a way of ensuring all our Friday montages meet “the spirit” of the
222 day binge challenge, some Friday montages will revisit some past Tuesday
(or OTF Classic) themes. Examples include “Rachmaninov the Pianist” and
“Remembering Bob Kerr”, which we proposed on the Tuesday Blog in the early days
of that series.
In
December, when I tease 2022, I’ll provide more insight into how we intend to
complete the “binge challenge”, other programming tactics I plan to use to
finish our survey of past TC and OL material, as well as reintroduce ITYWLTMT
montages (old and new) into the FYLP programming calendar.
In closing,
please let me know what you think of our programming through Twitter
(@itywltmt), our Facebook page or by posting comments on the platforms themselves. Your
comments are valuable and always appreciated!
Your
friendly Music Curator
Pierre
Here’s the programming calendar for the upcoming four months:
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