| Project 366 continues in 2017-18 with "Time capsules through the Musical Eras - A Continued journey through the Western Classical Music Repertoire". Read more here. |
Yes, he’s my Best Of All Time.
Today’s installment of Time Capsules completes our
look into the Classical period and its principal composers. Beethoven,
and to a lesser extent Schubert, can’t be readily thought of as “Late
classical” composers, but rather as “transitional” composers, marking the
bridge from the formulaic, classical approaches and the more expansive
“romantic” school of composition.
Ludwig van
Beethoven (1770–1827)
Beethoven was a German pianist and composer whose innovative
compositions combined vocals and instruments, widening the scope of sonata,
symphony, concerto and quartet. He is the crucial transitional figure
connecting the Classical and Romantic ages of Western music. Beethoven’s
personal life was marked by a struggle against deafness, and some of his most
important works were composed during the last 10 years of his life, when he was
quite unable to hear. Beethoven died at age 56.
Much ahs been written about Beethoven’s music, his
contemporary and lasting influence and legacy, but the singular storyline about
the man, as stated above, was his struggle with deafness. At times driven to
extremes of melancholy by his affliction, yet despite his rapidly progressing
deafness, Beethoven continued to compose at a furious pace. From 1803 to 1812,
what is known as his "middle" or "heroic" period, he
composed an opera, six symphonies, four solo concerti, five string quartets,
six string sonatas, seven piano sonatas, five sets of piano variations, four
overtures, four trios, two sextets and 72 songs. The most famous among these
were symphonies No. 3-8, the "Moonlight Sonata," the
"Kreutzer" violin sonata and Fidelio, his only opera. In terms of the
astonishing output of superlatively complex, original and beautiful music, this
period in Beethoven's life is unrivaled by any of any other composer in
history.
When Beethoven died, he left (as many other composers) a
great many compositions behind. In Beethoven's case, a sizable majority of his
works were published. However, some works were not published, and some works
were unfinished, either because he had laid them aside, or died before he could
finish them. All of Beethoven's compositions up to and including Opus 135 were
published in Beethoven's lifetime; later numbers were published posthumously,
and are generally denoted by "Op. posth." In 1955, Georg Kinsky and
Hans Halm published a catalogue of Beethoven's works, in which they assigned
numbers to 205 "Werke ohne Opuszahl" (meaning "works without
opus number" in German) to some of Beethoven's unpublished works. These
numbers given these works are generally preceded by "WoO".
List of Works - http://www.musiqueorguequebec.ca/catal/beethoven/beelv.html
Your Beethoven Time Capsules
Listener Guide
# 174 – Beethoven Sonatas
More than anybody in the late Classical era, Beethoven is
the composer responsible for bringing chamber music to the concert hall. Among
his chief achievements in the genre we note seventeen string quartets, several
trios, ten violin sonatas and five cello sonatas. This listener guide shares
three sonatas for instrument with piano accompaniment (ITYWLTMT
Montage #202 - 12 jun 2015)
Listener Guide
# 175 –Themes and Variations
The piano music of Beethoven is an indispensable part of the
repertoire of any serious pianist. Especially appealing are the variations,
magnificent compositions second only to the sonatas and concertos in
importance, and among the most recorded and performed music in the piano
literature. (ITYWLTMT
Montage #138 - 10 Jan 2014)
Listener Guide
# 176 – Kovacevich & Beethoven
Although Beethoven was far from the first great composer to
write multi-movement compositions for solo piano, he was, nonetheless, the
first to show how much power and variety of expression could be drawn forth
from this single instrument. For composers who came after him, notably, but not
exclusively, Brahms, his sonatas became the standard of excellence. This
listener Guide features Srephen Kovacevich performing Beethoven last three of
32 sonatas. (ITYWLTMT
Montage #198 - 15 May, 2015 )
Listener Guide
# 177 – Beethoven’s #1 Montage
Beethoven composed at least six concerti intended for the
piano, and this listener guide features his first, along with the first
symphony and first overture to his opera Leonore (later renamed Fidelio) (ITYWLTMT
Montage # 28 - October 28, 2011)
Listener Guide
# 178 – Brautigam & Beethoven
Dutch pianist Ronald Brautigam is our feature soloist in
this pair of Beethoven piano concertos: the second and the op. 61a adaptation
of the violin concerto. (ITYWLTMT
Montage #56 - 25 May, 2012)
Listener Guide
# 179 – Serkin & Beethoven
On December 22nd 1808, Beethoven organized a
musical academy comcert in Vienna where he premiered three major works – the
first of these was his fourth piano concerto, performed in thls Time Capsule by
the late Rudolf Serkin. Also featured in this montage, the Hammerklavier
sonata. (ITYWLTMT
Montage #267 – 22 Dec, 2017)
Listener Guide
# 180 –Beethoven Live!
Also premiered on December 22nd 1808, Beethoven’s
symphonies no. 5 and 6! This Time Capsule features both of these works recorded
in concert, performed by two conducting legends: Wilhelm Furtwangler and Victor
de Sabata. (Once
Upon the Internet #59 – 26 Dec, 2017)
Listener Guide
# 181 – The Creatures of Prometheus
Beethoven’s stage works include overtures and incidental
music to at least four plays, his opera Fidelio and this ballet, first
performed at Vienna’s Hofburgtheater on 28th March 1801. (Cover2Cover
#8 – 10 Apr 2018)
Listener Guide
# 182 – King Stephan and Late Choral Works
This Time Capsule features a cover-to-cover performance of a
vintage Michael Tilson Thomas recording of the complete incidental music to the
play King Stephan, along with a number of short vocal and choral works,
and filler material including a loud surprise!. (ITYWLTMT
Montage # 69 - 31 Aug, 2012)
Listener Guide
# 183 & 184 – Fidelio (Klemperer, 1962)
Beethoven’s only opera, like many of his epic works, had a
long and tortuous gestation, resulting in at least two versions of the opera –
an earlier three act version (Leonore) and the later much revised two-act
version we know today. This vintage stidio performance features Christa Ludwig
and Jon Vickers, with Otto Klemperer conducting (Once
or Twice a Forrtnight – 21 Apr 2012)
Opera Synopsis:http://www.metoperafamily.org/metope...is.aspx?id=124
Opera Libretto: http://www.naxos.com/education/opera...Title_Page.htm
Opera Libretto: http://www.naxos.com/education/opera...Title_Page.htm
More Beethoven Listener Guides
(From Part 1): 25, 30, 40, 69, 83, 114, 117, 120 & 122
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