No. 317 of the ongoing ITYWLTMT series of audio montages, which can be found in our archives at https://archive.org/details/pcast317 |
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Today’s
blog and podcast features Soviet (Ukrainian) pianist Emil Gilels, one of the
leading Soviet soloisys of his generation who had opportunities to travel to
the West during the post-World War II/Iron Curtain era.
Indeed,
Gilels was one of the first Soviet artists, along with David Oistrakh, allowed
to travel and give concerts in the West. His American debut was in October
1955, with the Philadelphia Orchestra and Eugene Ormandy. His British debut was
in 1952 at the Royal Albert Hall. Gilels made his Salzburg Festival debut in
1969 with a piano recital of Weber, Prokofiev and Beethoven at the Mozarteum,
followed by a performance of Beethoven's Third Piano Concerto with George Szell
and the Vienna Philharmonic Orchestra.
Gilels had
an extensive repertoire, from baroque to late Romantic and 20th century
classical composers. His interpretations of the central German-Austrian
classics formed the core of his repertoire, in particular Beethoven, Brahms,
and Schumann; but he was equally illuminative with Scarlatti and
20th-century composers such as Debussy, Rachmaninoff, and Prokofiev.
Today’s
podcast opens with a set of Scarlatti sonatas of varied tones and textures,
captured live from a recital recorded by the BBC and issued under their Legends
series.
Gilels was
in the midst of completing a recording cycle of Beethoven's piano sonatas for
the German record company Deutsche Grammophon when he died unexpectedly in a
hospital in Moscow. He did, however, leave several recordings of many of these
sonatas, and two are featured thios week – one from the same BBC disc, the
other from an early Melodiya recording.
The
remaining selections thuis week are both from late 19th-early 20th
century Russian composers; Alexander Scriabin’s Fourth piano sonata is
one of his shortest. Written in a post-Romantic style, similar to Scriabin's
other works of the time, its mood could be described as erotic.
A younger
contemporary of Rachmaninoff and Scriabin, Nikolai Medtner wrote a
substantial number of compositions, all of which include the piano. His works
include fourteen piano sonatas, three violin sonatas, three piano concerti, a
piano quintet, two works for two pianos, many shorter piano pieces. His Tenth
"Sonata-reminiscenza" in A minor, Op. 38, No. 1, commences a set of
eight pieces entitled "Forgotten Melodies (First Cycle)". This single
movement is one of Medtner's most poetic creations; as the title indicates, its
character is nostalgic and wistful. This sonata closes this week’s podcast.
I think you will love this music too
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