This is my post from this week's Tuesday Blog. |
It is fair to say that Eugene Ormandy had the good fortune of performing the music of some great Late Romantic composers he had the pleasure of meeting himself: Bela Bartok, Sergey Rachmaninov, and Jean Sibelius figure especially in his repertoire.
Eugene Ormandy talks about Sibelius:
Meeting Sibelius for the first time, I had the impression of being in the presence of someone almost superhuman. Here was a being I had admired and looked up to all my life — and suddenly I was in his presence. He was a towering man, a towering personality, with a magnificent head and powerful face. His beautiful home was full of records, many of which we had sent him from America throughout the years.
Sibelius’ First Symphony was the “first” for me in another sense — it was the first of the master’s symphonies I ever conducted. This was in 1932, with the Minneapolis Symphony Orchestra — and we recorded it for RCA Victor in that year. I think perhaps it was the first Sibelius symphony to be recorded outside of Scandinavia. Of course the great Finnish conductor, Sibelius’ friend Kajanus, had broken ground for Sibelius years before, and so had Koussevitzky, Stokowski and Beecham. I have played the First Symphony many times in the intervening thirty years, and it never loses its fascination for me. Recordings have changed a great deal since 1932, and so have interpretations of his works to the end, and he always had admiration for the work of my colleagues Stokowski and Koussevitzky. I will risk immodesty to add that he praised my readings too. His enthusiasm is a source of great pride to me.
Sibelius’ First Symphony was the “first” for me in another sense — it was the first of the master’s symphonies I ever conducted. This was in 1932, with the Minneapolis Symphony Orchestra — and we recorded it for RCA Victor in that year. I think perhaps it was the first Sibelius symphony to be recorded outside of Scandinavia. Of course the great Finnish conductor, Sibelius’ friend Kajanus, had broken ground for Sibelius years before, and so had Koussevitzky, Stokowski and Beecham. I have played the First Symphony many times in the intervening thirty years, and it never loses its fascination for me. Recordings have changed a great deal since 1932, and so have interpretations of his works to the end, and he always had admiration for the work of my colleagues Stokowski and Koussevitzky. I will risk immodesty to add that he praised my readings too. His enthusiasm is a source of great pride to me.
Happy Listening!
Jean SIBELIUS (1865-1957)
Symphony No.1 in E Minor, Op.39
Valse Triste, from Kuolema, Op. 44
The Swan of Tuonela, Op. 22 no. 2
Philadelphia Orchestra
Eugene Ormandy, conducting
RCA Red Seal – ARL1-4901
Format: Vinyl, LP, Album
Released: 1984
Discogs - https://www.discogs.com/release/5222...wan-Of-Tuonela
YouTube - https://youtube.com/playlist?list=OL...ieV1KBl6xT46K8
Internet Archive - https://archive.org/details/symphony...nor-op.-39-iv.
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