| Project 366 continues in 2019 with "Dates on the Musical Calendar". Read more here. |
Highlights
- 1-Apr April Fool’s Day [Guide #20]
- 6-Apr "Don´t be frightened, Mr. Gould is here..." (OTD 1062) [Guide #76]
- 10-Apr Good Friday [Guide #169]
- 11-Apr Easter Vigil [Guide #51]
- 12-Apr Easter [Guide #203]
- 20-Apr Four-Twenty [Guide #187]
- 22-Apr Earth Day [Guide #269]
Your
Listener Guides
Listener Guide #332 - In Memoriam -
Claude Debussy (1862-1918)
Claude
Debussy died a century ago, but his music has not grown old. Bound only lightly
to the past, it floats in time. As it coalesces, bar by bar, it appears to be
improvising itself into being—which is the effect Debussy wanted. After a
rehearsal of his orchestral suite “Images,” he said, with satisfaction, “This
has the air of not having been written down.” In a conversation with one of his
former teachers, he declared, “There is no theory. You merely have to listen.
Pleasure is the law.” (ITYWLTMT
Montage # 297 - 30 Nov 2018)
Listener Guide #333 - Felix
Mendelssohn: Concertos
Felix
Mendelssohn composed eight concertos, for solo piano, violin and combinations
thereof. In addition to the E Minor violin concerto we can add the two piano
concertos (opp. 25 and 40) as part of the “mature” works in the genre by
Mendelssohn. The violin concerto in D Minor from 1823 is probably the best-known
of the “early” Mendelssohn concertos. (ITYWLTMT
Podcast #183 - 30 Jan 2015)
Listener Guide #334 & 335 – La
Bohème (Leoncavallo)
Puccini
wasn’t the only composer to attempt a work on Henri Murger's novel Scènes de la
vie de bohème. In February 1893, two Milan newspapers announced that two operas
were to be composed on the subject of La bohème, one by Leoncavallo and one by
Puccini. Ruggero Leoncavallo, best known as the composer of Pagliacci, first
considered composing the opera, and offered a libretto that he had written to
Puccini, who refused because he supposedly was considering another subject.
Puccini then employed Luigi Illica and Giuseppe Giacosa to provide him with
their version, which reached the stage in 1896, while Leoncavallo’s version
debuted in the following year. Although Leoncavallo’s version was well received
at its premiere, it shortly was totally eclipsed by Puccini’s work. (Once or Twice
a Fortnight – 15 Oct 2016)
L/G 334 (Acts 1 and 2) -
L/G 335 (Acts 3 and 4) -
Listener Guide #336 - Liszt’s
Hungarian Rhapsodies (original piano version)
As Liszt
toured Europe as a piano virtuoso, notably in the late 1830’s, he returned to
his native Hungary where he re-encountered the folk tunes of his youth, and
from there the Hungarian Rhapsodies are finally hatched. All the works bear dedications
to important Hungarians of the day (Szerdahelyi, Teleki, Festetics, Kázmér
Esterházy, Mme Reviczky, Apponyi, Orczy, Augusz, Egressy), or to musicians with
Hungarian interests (Joachim, Ernst, von Bülow). (ITYWLTMT
Podcast #177 - 12 Dec 2014)
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