| This montage from our Podcast Vault revisits a post from 15 Jan 2016. It can be found in our archives at https://archive.org/details/pcast213 |
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This week,
we dust off another selection from the Podcast Vault, dating back January 2016. The
original post for this montage featuring three clarinet quintets presented this
music in two contexts – it completed a two-part series on the late compositions
of Johannes Brahms dedicated to clarinet chamber works, and discussed the
tradition of the clarinet quintet as a whole.
Missing on
that podcast, primarily because we had featured the work in our Benny
Goodman montage, was Mozart’s Stadler quintet. Here is a YouTube
performance featuring clarinetist Sabine Meyer
The
“german” tradition of this specific type of work – Mozart, Weber and Brahms –
makes the following anecdote (recounted in the original musing) that much more
noteworthy:
English
composer Samuel Coleridge-Taylor’s Clarinet Quintet came about after the
esteemed composition teacher at the Royal College of Music Charles Villiers
Stanford’s comment to the effect that after Brahms produced his Clarinet
Quintet no one would be able to compose another that did not show Brahms’
influence. Coleridge-Taylor took this as a challenge and Stanford, on examining
the result, remarked, ‘you’ve done it, me boy!’.
Stanford
showed the piece to Brahms’ friend Joseph Joachim who shortly thereafter played
it with colleagues in Berlin.
I think you
will (still) love this music too.
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