For Part Two of Project 366, click here.
Part Three - The Classical Collections
A Continued journey through the Western Classical Music Repertoire
Project 366 enters a short third phase this month,
consisting of 56 new Listener Guides (nos. 245 to 300). In the spirit of our
past two phases, there is a unifying “vision” to this tranche of the project.
When I started the Project in 2016, I asked the
question: “What constitutes the basic repertoire?”
As I said
then, there is no one-size-first-all answer to the question, as personal taste
has a lot to do with it. The works one may think are “must haves” in one’s
music collection (reflective of one’s conception of the repertoire) is very
dependent on the kinds of music (composers, settings, eras) that resonate most
with us. One of the aims of the Project was to propose a series of listener
guides to not only try and cater to different tastes, but also to expose areas (maybe)
less frequented.
In the
course of that exploration (244 guides to date), we have sampled “collections”
or “cycles” of works by one composer – think of Beethoven’s Nine Symphonies, or Bach’s 48 Preludes and Fugues for keyboard. Wouldn’t it be interesting
to look at our past guides in the context of “complete collections”?
Again – in
doing so, we are somewhat arbitrary in our choices as these are mainly “targets
of opportunity”. Some collections we will consider in this tranche of the
Project may not be among your favourites or make your must-have list. But the
fun part is that it allows you (and me in the future) to continue the
exploration and build more collections!
Mozart’s 27 Piano Concertos | 245-254 |
German Symphony Collections | 255-263 |
The Mahler Symphonies | 264-270 |
Piano Concerto Collections | 271-279 |
Tchaikovsky and Nielsen Collections | 280-287 |
Five "odd" collections | 288-300 |
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