| Project 366 continues in 2017-18 with "Time capsules through the Musical Eras - A Continued journey through the Western Classical Music Repertoire". Read more here. |
As we have
done for past major periods, we are devoting one chapter to a key Romantic-era
composer.
By the end
of his fairly short life, Pyotr Ilyich
Tchaikovsky's inner and outer circumstances would appear to have been
perfectly splendid. After his triumphant tour of America, and being awarded an
honorary doctorate at Cambridge University, he was accepted as a world figure,
not a merely national composer but one of universal significance. In 1891 the
Carnegie Hall program booklet proclaimed him, together with Brahms and Saint-Saëns, to be one of the three greatest living musicians,
while music critics praised him as "a modern music lord".
Within
Russia he became even more than that—he was considered a national treasure, and
his music admired and adored by all strata of society. He enjoyed the favour of
the Imperial court, where he had a number of influential protectors (including
two Grand Dukes), as well as the personal patronage of Emperor Alexander III,
who had granted him a handsome government pension.
In my
humble opinion, the Tchaikovsky
Research website launched in February 2006 is an internet treasure
trove of information on Tchaikovskly’s life and times.
In terms of
his complete works catalog, the website provides
comprehensive lists of works, with opus number and other similar
nomenclature stemming either from volume 1 of The Tchaikovsky Handbook
(Indiana University Press, 2002) (TH) and in the Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works
(2006) (ČW).
In general,
in many of the playlists I have used ion my many musings and shares, I have
deferred to the opus number, and cross-references it to the TH number which is
essentially “thematic” rather than chronological.
The
following listener guides generally highlight a specific a Tchaikovsky work
(identified in the guide’s title), and is often accompanied by filler material
by Tchaikovsky, and sometimes by other composers.
Tchaikovsky's
piano cycle subtitled '12 characteristic scenes', was written between December
1875 and May 1876, and was first published in monthly instalments in the Saint
Petersburg journal Nuvellist . (Once Upon the Internet 42 - 5 Jan 2016)
Listener Guide #218
- Symphony No. 1
Tchaikovsky's
Symphony No. 1 in G minor, subtitled Winter Daydreams, was composed and
orchestrated between March 1866 and February 1868, and revised in spring 1874. (ITYWLTMT
Podcast #154 - 2 May 2014)
Listener Guide #219
- Symphony No. 3
Tchaikovsky's
Symphony No. 3 in D major, was composed and orchestrated between June and
August 1875. It is his only symphony in a major key, and to have five
movements. The Symphony is sometimes referred to as the 'Polish', after the
'Tempo di polacca' marking of the Finale. (Cover
2 Cover # 10 – 3 July 2018)
Listener Guide #220
- Manfred
Tchaikovsky's
Manfred is a symphony in four scenes, composed and orchestrated between May and
September 1885. The idea for a symphony on the subject of Lord George Byron's
poem Manfred: A Dramatic Poem (1817) originated from Vladimir Stasov, who
suggested the idea to Mily Balakirev and Hector Berlioz in 1867, although both
composers declined to write the music. (Cover
2 Cover #11 – 7 Aug 2018)
Listener Guide #221
– Tchaikovsky Waltzes
When one
thinks of the waltz, two names spring to mind: the Viennese Waltz King (Johann
Strauss) and Poland’s greatest composer (Frederic Chopin). However, as this
listener guide suggests, we shouldn’t overlook Russia’s Peter Tchaikovsky. Here
we have gathered several waltz movements and stand-alone waltzes from
Tchaikovsky’s symphonic, stage and piano catalogues. (ITYWLTMT
Montage #275 - 30 Mar 2018)
Listener Guide #222
& 223 – Tchaikovsky Tone Poems
This pair
of listener guides provides a sampling of seven tone poems/orchestral fantasies
composed throughout Tchaikovsky’s career. The listener guides group the
thematically.
Listener Guide #224
–Suite #1
Tchaikovsky
was notorious for creating ambitious orchestral works, originally meant as
symphonies, only to later choose the less rigorous format of a suite –
harkening back to those of J. S. Bach, as a loose grouping of dance movements
and orchestral sketches. This Suite No. 1 in D minor, was written and
orchestrated between August 1878 and April 1879, except for the second movement
(Divertimento), which was added in August 1879. (ITYWLTMT
Montage #280 - 29 May 2018)
Listener Guide #225
–Piano Concerto #1
On 19 April
1941 Horowitz played this concerto with Toscanini and the NBC Symphony
Orchestra at an all-Tchaikovsky concert at Carnegie Hall, marking the fiftieth
anniversary of the dedication of the famous auditorium. (Once
Upon the Internet #60 – 13 Feb 2018)
Listener Guide #226
–Piano Concertos #2 and 3
According
to Modest Tchaikovsky, it was his brother's original intention to dedicate the
First concerto to the "colossal virtuoso force" of Nikolay
Rubinstein, but the composer's feelings were wounded so deeply by Rubinstein's
criticism of the work, he subsequently changed his mind. In 1880 Tchaikovsky
decided to dedicate his Second Piano Concerto to Rubinstein, for his
"magnificent" playing of the First Concerto. Rubinstein was to have
premiered the concerto in Moscow, but died shortly before the scheduled
performance. Sketches from the aborted Symphony in E flat major became the
Piano Concerto No. 3, and the Scherzo-Fantaisie (No. 10 of the Eighteen Pieces,
Op. 72). (ITYWLTMT
Podcast # 135 - 13 Dec 2013)
Listener Guide #227
– The Nutcracker
The
Nutcracker is a fairy ballet in 2 acts and 3 scenes, written and orchestrated by
Tchaikovsky between February 1891 and April 1892. The story was based on a
children's fairy tale by E. T. A. Hoffmann, adapted by Alexandre Dumas. This
was Tchaikovsky's last ballet, from which he compiled a famous Suite of eight
numbers for concert performance. (ITYWLTMT
Podcast # 136 - 20 Dec 2013)
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