No. 395 of the ongoing ITYWLTMT series of audio montages is this week's Friday Blog and Podcast. It can be found in our archives at https://archive.org/details/pcast395 |
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In this
second of a two-part set of montages featuring Hermann Scherchen conducting
German repertoire, and in our continuing look at the symphonies 0of Gustav
Mahler, today’s Blog and Podcast montage features Scherchen’s 1952 Westminster
recording of Mahler’s Fifth symphony.
A survey of
discogs suggests Scherchen recorded almost all the Mahler symphonies (in studio
and as live recorded performances) – surprisingly, he did not record the
Fourth, though he did record two song cycles (kindertottenlieder and Songs of
the Wayfarer).
Here’s a
portion of a Grammophone review of today’s featured recording:
We are
often assured that great conductors of an earlier generation interpreted Mahler
without the ‘lurid excesses’ of a Leonard Bernstein‚ always assuming they
played him at all. But there is a starker‚ more disturbing quality in
Scherchen’s conducting which has made his Mahler recordings muchprized
collectors items. Having devoted his career to the promotion of contemporary
music‚ Scherchen left relatively few studio recordings‚ but his scholarly
reputation and restrained‚ objective conducting style are belied by the whitehot
communicative power (and‚ it has to be said‚ the frequent technical lapses) of
these pioneering mono LPs.
First
the good news: this is […] a complete performance‚ and in many respects a very
compelling one Now for the bad news: time and time again the intensity and
drive of Scherchen’s conception is scuppered by the inability of his players to
keep up.
The review
goes on with many examples of the orchestra (which I always thought was an
alias for members of the Vienna Philharmonic…) falling short of the conductor’s
envisioned performance; yet the reviewer agrees with me with this sentence near
the end: “Nevertheless‚ Scherchen and his Viennese forces offer us a piece of
history that belongs in any serious Mahler collection.”
For more
insiht on the work, I’d point you to a
2018 Tuesday Blog featuring Mahler’s Fifth.
I think you will love this music too!
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