| This montage from our Podcast Vault revisits a post from July 27, 2012. It can be found in our archives at https://archive.org/details/London_837 |
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Before I
get started today, I wanted to acknowledge a couple of missteps in managing our
podcasting channel – a couple of times in the past week I posted some material
and failed to pick the right date for the automatic publisher to activate the
selections. As a result, my Wednesday and Friday posts were on line a few days
ahead of schedule – which explains why I chose to “expedite” this week’s foray
into the Podcast Vault. This is completely an error in my part but, since
nobody seemed to be bothered by that programming snafu, it’s a reminder for me
to be more focused and disciplined when I line up my publishing…
While I am
mindful of avoiding “dated” programming, from time to time there are montages
that don’t quite age well. It’s not to say that the program for this week is
completely anachronous, I am obliged to remind listeners that this 2012 montage
was published around the time of the London Summer Olympics, which explains how
Vangelis found his way here. Overall, however, the podcast does keep to the overall
theme of music written for or inspired by London and England.
The main
work on the podcast is a nice performance by Sir Colin Davis of the last of
Haydn’s London Symphonies (his no. 104) that completes our Project 366 survey
of the complete set of 12. The nickname for that symphony aptly is “London”.
Works by Bach, Elgar, Otto Nicolai and Gershwin feed this overall theme.
As our
bonus track, another London-nicknamed symphony, this one by Ralph Vaughan
Williams
I think you
will (still) love this music too.
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