| This montage from our Podcast Vault revisits a post from June 21, 2014. It can be found in our archives at https://archive.org/details/pcast161 |
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This week’s
Podcast Vault selection is from June of 2014, marking what was then the 60th
anniversary of Glenn Gould’s first recorded performance of the Goldberg
Variations – a broadcast performance from the CBC archives.
A year
later, in 1955, Gould recorded the Goldberg Variations for Columbia records,
his breakthrough work. Although there was some controversy at Columbia about
the appropriateness of this "debut" piece, the record received
phenomenal praise and was among the best-selling classical music albums of its
era. Gould became closely associated with the piece, playing it in full or in
part at many recitals. A new recording of the Goldberg Variations, made in
1981, would be among his last albums; the piece was one of only a few he
recorded twice in the studio. The 1981 release was one of CBS Masterworks'
first digital recordings. The 1955 interpretation is highly energetic and often
frenetic; the later is slower and more deliberate —the 1954 CBC performance, I
find, sits som ewhere between the two.
Gould
revered J.S. Bach, stating that the Baroque composer was "first and last
an architect, a constructor of sound, and what makes him so inestimably
valuable to us is that he was beyond a doubt the greatest architect of sound
who ever lived". He recorded most of Bach's other keyboard works,
including both books of The Well-Tempered Clavier and the Partitas, French
Suites, English Suites, Inventions and Sinfonias, keyboard concertos, and a
number of toccatas (which interested him least, being less polyphonic).
As our
bonus filler, I chose his studio recording (1963-64) of the two and three-part
inventions. We can compare these with tracks from the CBC broadcast.
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